random

In their opening remarks, the 2010 Whitney Biennial curators Francesco Bonami and Gary Carrion-Murayari confessed that they approached the selection process (gasp) open-mindedly, without a preconceived theme. Fortunately, the exhibition itself faithfully reflects their intent, presenting a resonant sampling of contemporary art practice. That is not to say that the show selection is thematically unfocused or ungrounded.

2008 was kind of a rough year for American publishers, culminating in the bloodbaths of November and December which saw hundreds of firings, major restructuring at Random House, and a crisis at Houghton Mifflin Harcourt which may yet prove fatal. Industry professionals are understandably looking for a silver bullet to reverse the trend: a new blockbuster from Dan Brown? A trilogy of teen sorcerer novels from Jhumpa Lahiri? Saddam Hussein’s memoir, written from beyond the grave?